There’s an air of bruised fragility about this trio and also about May (Maria Bello), the gun-shy woman who threw Brett off her houseboat and out of her life. There’s also a whiff of sentimental cliché, but time and again it’s dispelled by Chris Menges’ acutely intelligent cinematography and the quality of the performances. Stewart does the kind of layered work that has made her one of the best young actors around. Martine is necessarily self-sufficient, but her anger and sadness are palpable, and she looks weary—rejection can do that to a girl. You’re relieved when she perks up and starts nudging Redmayne’s whiny Southern boy to do the same.
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