"Dreamgirls," for all its pomp, centers on the larger world persecuting an anointed one, a neat parallel to the ordeal faced by Bella's child. It also tells a sprawling story from several perspectives, as the "Breaking Dawn" novel does.
"Monsters," which tells of the personal and creative trouble of "Bride of Frankenstein" director James Whale, could come in handy if Condon wanted to explore the demons that come from within, a plight particularly faced by Bella throughout the series.
And a "Kinsey" influence would mean the foregrounding of a misunderstood but right-minded outsider, which kind of describes all three main protagonists in the series but especially, in this book, describes Jacob, who breaks away from his family over their murderous intentions for Bella's child.
As a rule, Condon has been preoccupied with the underdog in his movies, though one who ultimately triumphs and finds vindication, which fits nicely with the themes of "Twilight."
Still, plenty of other questions will arise as production moves forward -- namely, whether the film will shoot in 3-D, how the likely second film that will come from the "Breaking Dawn" novel will be developed, and how the timing of this one will unfold, with Summit eager to keep the momentum going but Condon, like most Oscar winners, accustomed to working at a slower pace.
In "Gods & Monsters," Condon depicted a filmmaker beset by troubles as he tried to make an expectation-laden tale of the supernatural. Here's hoping life doesn't imitate art.
--Steven Zeitchik @ latimesblogs
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